Awake
by Jim Morrison
Shake dreams from your hair
My pretty child, my sweet one.
Choose the day and choose the sign of your day
The day's divinity
First thing you see.
A vast radiant beach in a cool jeweled moon
Couples naked race down by it's quiet side
And we laugh like soft, mad children
Smug in the wooly cotton brains of infancy
The music and voices are all around us.
My pretty child, my sweet one.
Choose the day and choose the sign of your day
The day's divinity
First thing you see.
A vast radiant beach in a cool jeweled moon
Couples naked race down by it's quiet side
And we laugh like soft, mad children
Smug in the wooly cotton brains of infancy
The music and voices are all around us.
Choose, they croon, the Ancient Ones.
The time has come again.
Choose now, they croon beneath the moon
beside an ancient lake.
Enter again the sweet forest.
Enter the hot dream.
Come with us.
Everything is broken up and dances.
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The entire American Prayer spoken-word album by The Doors is
a work I hold in great esteem, but I selected this individual poem from the
collection for reflection as it seemed the most structured, least lyrical, and
most vividly imagined.
Awake, by Jim Morrison, is typical of Morrison’s cryptic,
mythical style showcasing the majesty of nature as a sort of ancient, sacred,
magic entity with references to astrology and other popular spiritual ideals of
the youth of his time.
It took many times of going through this poem before I
really started to understand his phrasing and description. A phrase like “shake dreams from your hair”
sounds very abstracted to me, but in the context of the poem it summons imagery
of a beautiful girl waking up on a moonlit beach, shaking the sand from her
hair against the a backdrop of a starry sky.
He puts himself
provocatively into the poem, a common practice that may have contributed
to his status as a sex icon, and talks about racing naked on the beach ; “And
we laugh like soft, mad children, Smug in the wooly, cotton brains of
infancy.” A romantic image
unromanticized by not describing how it feels, but simply the external image of
it, almost distant. He proceeds to
further beckon the audience; “Enter again the sweet forest. Enter the hot
dream. Come with us.” He has captured
here the feeling of seduction, not by an individual, but by circumstance, and
the audience is left to make a choice.
While I think this poem is beautiful, I’m certain there is
more meaning and likely a specific circumstance tied to this poem that I will
never know.
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